Showing posts with label love. Show all posts
Showing posts with label love. Show all posts

Monday, November 12, 2012

Goodbyes and Hellos: Weaving My Tapestry

This collection of poems details the movement of people in and out of my life, the "Hellos," and the, "Goodbyes," and the "See you laters."



Tapestry

The strings of her loom are pulled tight,
Stretched in perfect balance like the lines of a musical staff,
The chords of telephone wires.

First woven, over and under, was deep mauve.
Mauve helped formed the pattern that other colors would follow
Valleys, mountains, ups and downs,
In and out.

Then came the piercing, manic orange,
Fueled by cocaine and liquor,
Bloody, reckless, exhilarating.
She wove in the orange with shaky hands,
Secretly at midnight.
Bumpy, chaotic, messy.
For something so hidden, it screams the loudest on the loom.

Red holds dominance in her tapestry,
Stretched out for miles.
Blood red, the color of hearts ablaze.
She spent years and years and years of weaving red,
Over and under,
Over and under,
Through autumns and winters and springs and summers,
Decay, death, rebirth, warmth,
Hands moving in familiar repetition,
The yarn becoming more frayed as time passed
Eventually breaking, worn thin and tenuous.

After red is a bare break in the tapestry,
A paused moment,
A time of collecting,
Of stretching out sore fingers.

Then, bright, canary yellow makes an appearance.
It flickers in and out in short bursts,
Like shooting stars over the landscape.
She laughs as she weaves him in.
He keeps her light,
Fingers buoyantly bouncing.

The tapestry has been suspended in deep blue.
The most elusive of the colors.
When woven in,
He frequently slips out through her fingers,
Afraid of capture, of being tangled up,
Of being part of her fabric.
She tries to wind, to grasp.
Then she lets go.
The string hangs teasingly off the side of the loom, 
Unsure of ending or beginning again.

She leans back,
Gazes on the complex beauty of her tapestry,
Woven by her hands
And the hands of those who have traced her body
And held her breasts
And stroked her cheeks with love.
She surveys all of the empty space that is yet to be filled,
In wonder of what colors will dance across her empty strings,
Early in the morning over a cup of coffee,
Late at night under blankets,
Deep, deep, deep in the cavern of her heart.



Haymarket 

Hiss of hot water as it filters through grains
Chatter of books and weather and college classes
Cigarette smoke wafting in

Here we sat,
Our backs butted against her walls,
Pretending not to cry,
As we placed our love, our marriage, on her table
And crumbled it in our hands,
Like clumps of brown sugar.
Your coffee was dark and pungent,
Matching your acidity.
Your angles were softened by the round rim of your cup.
I sucked my strength up from my toes,
New baby strength,
Weak and wobbling,
Unsure of its new legs.
And we walked away,
Two roads diverging.

Now my voice fills her hallow underbelly,
As I sing songs on her stage.
I meet my lovers here,
To exchange first words, first coffees, first kisses.
My words flow from head to heart to paper,
Spurned on by the frantic push of caffeine.
In her, I am whole.

With death of heart comes triumphant rebirth,
This café incubating me,
And delivering me from her warm womb
Out into the world,
With high hopes
That I will walk, strong and steady,
Over the changing landscape of my life.




L-Bomb

It dropped out of the sky,
Whistling through the air as it fell,
Out of my control,
And it landed with a heavy thud between us.
We stared in shock, in awe,
Our faces frozen,
Mouths locked open,
Breath suspended.
We both jumped back to avoid the splatter.
I hang my eyes, exposed and embarrassed.
You brush the blood off your legs and arms.
I apologize for getting my heart, heavy with love, all over you.



Ballet

I crouch in the corner, anticipating
Watching and waiting
For a smile or a kiss or a smoke signal from your cigarette
To let me know that I can step into your space
And briefly entwine our pulses, our legs
Letting our blood flow together
In syncopated breathing.

At the first sign of your hesitancy,
Your retreat,
I leap out and crouch back in my corner
To play the waiting game again,
Always guessing at whether you will dodge
Or slow dance with me in my kitchen.

I dance around landmines that other lovers have laid,
That you have so carefully placed
Sprawled out on the floor of your apartment.
You keep me guessing.
How much can I say?
How much can I touch?

I’m one pirouette short of blowing this whole ballet to the sky.



Samson

Blonde curls fall to the floor.
Samson sits naked on his throne in my kitchen.
My last act as Delilah
Is to cut his hair,
And cut me out of his life.



Sunday, September 16, 2012

The Anthropology of Love (PG-13 again)

Old stuff and new stuff and medium stuff.


-2 Ay Em-

Sleepy eye slants
Arms criss cross bodies
Chests against backs
Kisses plant freckles
Shy gazes into blue pools
Lips graze cheek bones
Fingers dance in hollow shoulder pockets
I am drunk in your 2am beauty


-Number Two-

You don't deserve my words or thoughts or a poem about you.


-Anthropology of Love-

I open the chest and pull out my artifacts.
Dried flowers, love letters, polaroids.
My only hope for keeping my heart in and my head out
   Is to pretend that I'm merely a casual observer of this game.
You told me that my milk and honey are locked deep away,
And that no one has dared taste it.
No- that I haven't dared to open door and let it overflow,
  Out into the streets,
     Out where children play
        Out where sun rays dance
           Out where he waits for me.
You say I live with wild abandon
   That I traipse in and out
     That I sing my siren song.
How can I give my most beautiful parts to careless lovers
   Who fumble and drop and trip and stab?
Heart in head out.
Or, better yet,
   Heart out, head out.
I'll seal away the mementos
And I'll keep my milk and honey for myself.


-Rumi-


I will hold you softly in my arms.
I will kiss the places where the sun has kissed you.
I will wrap my fingers in yours and entwine our pulses together.
I will fall in love with you.

Sometimes I’ll doubt if you’ll leave me or love me.
It’s not you, love.
It’s those who have walked and walked away before you.

Your heart wound is centered in mirror to mine.
We carry the raw between our breasts.
Maybe we can open up our heart wounds and let love heal and make anew.
Rumi said, “The wound is the place where the light enters you.”

You hold the sky in your eyes- infinite galaxies and eternal star shine live there.
Sometimes I can’t bring myself to look.
I’m afraid I’ll see love.
And what would I do with that?



-Moonlight Sonata-

We shed our clothes
The crisp air tickled our bare skin
Pale moonlight lazily trickled down through dark trees
My eyes graze your glowing body
Night is electrified by our sparks
We silently slip into the cool, still water
You pull me in to your warmth
Your tender kisses send molten pulses to my toes
Your eyelashes are dusted with moon beams
We hold each other in our own moonlight sonata.


-Journey to 7 Cumberland Ave-

I followed the orange cat
     lying seductively on the bottom steps of my porch
         his eyes flashing in the moonlight

He led me places
     punctuating the ribbon of time
         where steps are counted in twos
             and firecrackers burst above heads.

I tried to seek shadows
     and tread in the shrouds of ebony
                      away from pale, haunting faces.


-Pageant-

The dirt under my nails is from working with the earth.
Your hands are soiled from judging my worth.


-Easter Worms-

Sidewalk wet with new rain
The sodden earth smell rising from the ground
Her little white Easter shoes dodge the worms seeking refuge from the flood.



Friday, June 1, 2012

Women Who Run With Wolves


One of my favorite nights in recent memory started off with a thunderous rainstorm.  I was downstairs playing some mando and my roommate knocked on the window and beckoned me outside.  We must have danced in the rain for a good hour.  I’ve always believed that rain has the capacity to wash away our worries.  And there’s a child-like abandon that accompanies jumping around in puddles and spinning in circles as giant raindrops trickle down your upturned face. 

Then, I went right from dancing in the rain to playing an open mic with one of my friends.  I haven’t played on stage in front of people in years!  I forgot how much the monster inside of me feeds off of that energy.  The wild wolf woman has been awakened!

Recently, I have settled on my idea of what a good fit for a future partner would be:  Someone that I can run with in all of my glory.  Someone who can stand back from me, see me in all of my pain and beauty and love and joy, and look on me in awe.  I need a wolf-runner.  My friend recommended that I read “Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype.”  I have just started the book, so I don’t have much in terms of commentary yet.  However, I do enjoy how the concept of “wild” is not defined as “crazy” or “irresponsible;” It represents an attunement to nature and freedom and individuality.

To me, being a wild woman means crying openly without fear of being called weak.  It means loving deeply without fear of being called soft.  It means paving my own path in life without fear of being called crazy or irresponsible.  It means laughing and loving and swearing and drinking and making music and making love and dancing and having babies and growing old and gardening and making mistakes and singing and taking care of those whom I love…

It also strikes me that there are very few wild women out there to serve as a role model for me.  This society has marginalized women who run with wolves to the brink of extinction!  Where is reverence for strong women?  As I try to navigate my divorce and my resurgence in music and my feelings of love toward others and my career and my travel adventures, I find myself seeking out the strong women in my life.  The landscape over the last 6 months is all new territory for me.  And it’s scary.  And I’m blessed for the women (and the men) in my life who help me up when I stumble.  

A favorite song of mine, by the lovely First Aid Kit, goes like this:

http://youtu.be/UsP2-HwdpOk

Wolf mother, where you been?
You look so worn, so thin
You're a taker, devil's maker
Let me hear you sing, hey ya hey ya

Wolf father, at the door
You don't smile anymore
You're a drifter, shapeshifter
Let me see you run, hey ya hey ya

Holy light, oh, burn the night, oh keep the spirits strong
Watch it grow, child of wolf
Keep holdin' on

When I run through the deep dark forest long after this begun
Where the sun would set, trees were dead and the rivers were none
And I hope for a trace to lead me back home from this place
But there was no sound, there was only me and my disgrace

Wayward winds, the voice that sings of a forgotten land
See it fall, child of wolf
Lend a mending hand

When I run through the deep dark forest long after this begun
Where the sun would set, trees were dead and the rivers were none
And I hope for a trace to lead me back home from this place
But there was no sound, there was only me and my disgrace

Hey, Hey-Hey, Hey, Hey
Hey, Hey-Hey, Hey, Hey
Hey, Hey-Hey, Hey, Hey
Hey, Hey-Hey, Hey, Ya.